The dog days of summer are here, though I don’t know why they’re called that, because mine want absolutely nothing to do with the evil humid space that is a traditional Indiana summer. Enough heat to melt cheese, enough humidity to choke someone, it’s enough to make any sane creature – or even a dog – to stay inside. And while inside, it only makes sense to read something. A lot comes out this week, and this week, I’m reviewing five issue 1’s. Brace yourselves.
Ghosted 1 (Williamson/ Sudzuka): What do you get the man who has everything? Alan Moore had some thoughts on that question, but the neat thing is there’s no absolute answer to that question, for no one has everything. In the case of Markus Schrecken, owner and curator of several private islands and the world’s foremost collection of occult artifacts, it’s perhaps appropriate that what he wants most is a soul.
Jackson Winters used to be one of the best thieves on the planet until he and the rest of his team died. He was the only one resuscitated, and he was put right in the slammer for his reward. Years later, he’s busted out to retrieve a ghost from a haunted mansion before it’s demolished. Personal feelings aside, he will not go back to prison, so he and a handpicked basket of basketcases get straight to work.
Jackson Winters used to be one of the best thieves on the planet until he and the rest of his team died. He was the only one resuscitated, and he was put right in the slammer for his reward. Years later, he’s busted out to retrieve a ghost from a haunted mansion before it’s demolished. Personal feelings aside, he will not go back to prison, so he and a handpicked basket of basketcases get straight to work.
This is Ocean’s Eleven meets Ghostbusters, with just a bit of Snatch’s tone to kick things up a notch. The premise is shaky on its own – a cast of characters come together despite their conflicting personalities to see if a haunted house is actually haunted sounds a bit too much like Scooby Doo, even if there’s no dog involved. This avoids that particular trap with a very clear background for everyone, followed by regular one-liners that wouldn’t be out of place in a Quentin Tarantino production.
This is a fun little ghost story for people that love rooting for the bad guys. And it’s a pretty good production to boot.
Dawn - The Swordmaster’s Daughter & Other Stories (Joseph Michael Linsner): I should preface this by saying I haven’t really read Dawn material before. I’ve met JML (bear with me, his name is a huge thing to type!), only briefly, but that still SHOULD have pushed me to exploring the material. It didn’t, and I really can’t tell you why.
This is a collection of three short stories adapted from different cultural texts, but all in the context of JML’s Dawniverse. The cultures mined for their tales span the globe, and JML is careful to give the reader enough information that they could find the material on their own. Well, on their own with help from your local library or Google, but you get the idea. Two focus on Dawn’s lover Ashoka, the third a separation of two other lovers. She seems to have a thing for guys that know how to handle a big sword.
This is a collection of three short stories adapted from different cultural texts, but all in the context of JML’s Dawniverse. The cultures mined for their tales span the globe, and JML is careful to give the reader enough information that they could find the material on their own. Well, on their own with help from your local library or Google, but you get the idea. Two focus on Dawn’s lover Ashoka, the third a separation of two other lovers. She seems to have a thing for guys that know how to handle a big sword.
I just remembered why I didn’t jump in when I’d met the man. On the surface, this looks to be a book about a hot chick with a sword, generally known to be good for eye candy, not much else. When you look at this one, there’s something you are completely unprepared for: substance. The substance isn't just adapted classics or how deep this man’s love of hot chicks or swords goes. This – the character, the world, everything – means something to him, and he’s trying to communicate not just the message, but how much it means to him. It’s intimidating to look at, I remember telling him this, and I wondered aloud if it might be easier to get into from the beginning. He didn’t have volume 1 at the time, so I bought nothing. I kind of regret that now.
Dawn fans will be glad to see “new” material, but anyone not already involved will have way more questions than answers by the end of it.
Boneyard The Biggening 1 (Richard Moore): I love things like the Addams Family or the Munsters, stories where the monsters may be horrible creatures bent on mayhem and destruction, but no more so than anyone else, and so humans can get along with them. It’s this love that brought me to Boneyard years ago when the series was regular (quarterly, but regular). And it’s that same spirit, not worn by age or distance at all, that’s back in this spin-off/ sequel.
Michael Paris inherited the graveyard of Raven’s Hollow from his grandfather. He was ready to accept a check for the property from whoever handed him one until he actually saw the place, and got to know the residents. A vampire, an exiled demon, and a bench-pressing werewolf make up the most regular cast, but far from the most unusual. They’ve fought the devil, the mother of all vampires, and the IRS. This issue covers a bit of what they do in their downtime.
Michael Paris inherited the graveyard of Raven’s Hollow from his grandfather. He was ready to accept a check for the property from whoever handed him one until he actually saw the place, and got to know the residents. A vampire, an exiled demon, and a bench-pressing werewolf make up the most regular cast, but far from the most unusual. They’ve fought the devil, the mother of all vampires, and the IRS. This issue covers a bit of what they do in their downtime.
The art, writing, characters, everything about this is technically dark horror/ comedy, but that doesn’t fit. This is comedy first. The banter is funny, characters pull pranks on each other, and more than anything, you’ll want to laugh. Between the black-and-white palette and the dour outlook on human-monster relations, dark is ever-present, but it’s a distant, secondary tone. Occasionally, there’s a horror element, and it scares people, but it goes away. It doesn’t showcase the supernatural brought down to our level, instead it shows one of us rising up to meet the supernatural. And our kind ends up doing okay.
Fans of Boneyard will be able to jump right back into the saddle. For those that haven’t read any of it before, this is a decent place to jump in on – there’s plenty that goes unexplained, but all the important points begin and end within the covers.
Ballistic 1 (Mortimer/ Robertson): I’ve rather liked my introductions so far. They’ve been touching and revealing without giving up any of the wit that I would be a hollow shell without. Of course, everything I’ve reviewed so far has connected to me on some level. Ah well, here’s Ballistic.
This is the story about Butch, a good repairman that wants to go bad and wave his meat gun around. Oh, it might help if I mentioned that in this world, all “technology” is really a different form of biology, so everything is kind of made of meat. Now that I think about it, calling it a meat gun was redundant just then. If someone didn’t know better, they’d think I was trying to get attention via shock tactics. Anyhoo, his first big score is supposed to be the target of a Korean crime middle-manager, only he and his talking gun (not all guns talk) got pretty crazy last night and neither really recovered before showtime.
This is the story about Butch, a good repairman that wants to go bad and wave his meat gun around. Oh, it might help if I mentioned that in this world, all “technology” is really a different form of biology, so everything is kind of made of meat. Now that I think about it, calling it a meat gun was redundant just then. If someone didn’t know better, they’d think I was trying to get attention via shock tactics. Anyhoo, his first big score is supposed to be the target of a Korean crime middle-manager, only he and his talking gun (not all guns talk) got pretty crazy last night and neither really recovered before showtime.
Shock tactics can work wonders. That’s Butch’s strategy for pretty much everything he does in the book, and it’s a strategy the creators also hope will pan out. Biomechanical everything isn’t a step aside from the normal, it’s at least three, and this team tries to make each step count. Mortimer is able to bring complexity out of Robertson I haven’t really seen since Transmetropolitan. I’d like it if it had the same power and purpose as Warren Ellis’s work, but this will do.
This doesn’t have much balance to it – the art carrying so much more weight than the writing – but to be honest the art steps up well enough that I could almost forgive it. You might just like it.
Quantum & Woody 1 (Asmus/ Fowler): There are brothers – male offspring of the same parental grouping – and there are brothers, the kind that inspire unconditional love at the same time as unquenchable anger, knowing everything worthwhile about each other, despite no genetic similarity. There are some classic brotherhoods that are based on this idea: Kirk and Spock, Michael Knight and KITT, Quantum and Woody.
Eric and Woody Henderson grew up together watching each other’s backs, keeping each other from being harassed by anyone with a different last name. As they grew older, they grew apart. Eric strove to enforce the law and make the world a safer place, and Woody strove to test just how generous the world was by taking as much as he could whenever it’d let him. With their father’s recent passing, they’ve got a small window to find some answers before they’re all swept away. Their inability to stop being brothers leads to bickering and shoving when neither is smart, and they get more than they could imagine. Like murder charges, for one thing.
Eric and Woody Henderson grew up together watching each other’s backs, keeping each other from being harassed by anyone with a different last name. As they grew older, they grew apart. Eric strove to enforce the law and make the world a safer place, and Woody strove to test just how generous the world was by taking as much as he could whenever it’d let him. With their father’s recent passing, they’ve got a small window to find some answers before they’re all swept away. Their inability to stop being brothers leads to bickering and shoving when neither is smart, and they get more than they could imagine. Like murder charges, for one thing.
This book is very precise with its handling of the sibling relationship. This one issue spans something like fifteen years, and packs in some of the most critical moments in those years. Some of it’s funny, a few things are almost hurtful to read, but it all builds up into a connection that comes across as genuine. The Valiant relaunch has proven to be more than many expected, and this ups the ante again, as far as I’m concerned.
This isn’t a family book by the traditional definition – I wouldn’t let kids read it. Anyone interested in a modern twist on dysfunctional siblings will have a good time with this, though.
With so many number 1’s out this week, I suppose it’s only appropriate that I note that this blog is over a year old. Can you believe that? I didn’t! I completely missed it, but we passed the 1-year anniversary almost two months ago! Thanks for joining us this long, everyone, and here’s hoping the next year proves even better!
No comments:
Post a Comment